Artificial Perception and Music Recognition [electronic resource] / edited by Andranick S. Tanguiane.

Contributor(s): Tanguiane, Andranick S [editor.] | SpringerLink (Online service)Material type: TextTextSeries: Lecture Notes in Computer Science, Lecture Notes in Artificial Intelligence ; 746Publisher: Berlin, Heidelberg : Springer Berlin Heidelberg, 1993Description: XV, 210 p. online resourceContent type: text Media type: computer Carrier type: online resourceISBN: 9783540481270Subject(s): Computer science | Artificial intelligence | Optical pattern recognition | Telecommunication | Computer Science | Artificial Intelligence (incl. Robotics) | Pattern Recognition | Data Storage Representation | Communications Engineering, NetworksAdditional physical formats: Printed edition:: No titleDDC classification: 006.3 LOC classification: Q334-342TJ210.2-211.495Online resources: Click here to access online
Contents:
Correlativity of perception -- Substantiating the model -- Implementing the model -- Experiments on chord recognition -- Applications to rhythm recognition -- Applications to music theory -- General discussion -- Conclusions.
In: Springer eBooksSummary: This monograph presents the author's studies in music recognition aimed at developing a computer system for automatic notation of performed music. The performance of such a system is supposed to be similar to that of speech recognition systems: acoustical data at the input and music scoreprinting at the output. The approach to pattern recognition employed is thatof artificial perception, based on self-organizing input data in order to segregate patterns before their identification by artificial intelligencemethods. The special merit of the approach is that it finds optimal representations of data instead of directly recognizing patterns.
Item type: E-BOOKS
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Correlativity of perception -- Substantiating the model -- Implementing the model -- Experiments on chord recognition -- Applications to rhythm recognition -- Applications to music theory -- General discussion -- Conclusions.

This monograph presents the author's studies in music recognition aimed at developing a computer system for automatic notation of performed music. The performance of such a system is supposed to be similar to that of speech recognition systems: acoustical data at the input and music scoreprinting at the output. The approach to pattern recognition employed is thatof artificial perception, based on self-organizing input data in order to segregate patterns before their identification by artificial intelligencemethods. The special merit of the approach is that it finds optimal representations of data instead of directly recognizing patterns.

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