| 000 | 01286 a2200265 4500 | ||
|---|---|---|---|
| 008 | 240506b 2019|||||||| |||| 00| 0 eng d | ||
| 020 | _a9789353575304 (HB) | ||
| 080 |
_a77.03 _bSER |
||
| 100 | _aSerendipity Arts Foundation | ||
| 245 |
_aThe Personal Is Political _b: Photo Film & Performance Archives |
||
| 260 |
_bHarper Design _c2019 _aNoida |
||
| 300 |
_a142p. _bcol. ill. |
||
| 490 |
_aProjects / Processes _vI |
||
| 520 | _aProbing the canon of art history and its discontents the essays featured in this volume study responses to the varied ecologies of power within cultures of lens-based and performance art. They examine the horizons of personal and collective memory and the phenomenology of a de-sequential temporality. Focusing on practices which contravene axiomatic relations disciplinary gestures of exclusion and archival impulses towards erasure these essays are drawn from surveys of selected films photo archives trans-media practices and performances in South Asia and beyond. | ||
| 546 | _a | ||
| 650 | _aPhotography -- India | ||
| 650 | _aPerforming arts -- India | ||
| 650 | _aArts | ||
| 690 | _aGeneral | ||
| 700 | _aSamdub, Mila | ||
| 700 | _aAllana, Rahaab | ||
| 700 | _aGadihoke, Sabeena | ||
| 700 | _aThirukode, Meenakshi | ||
| 942 | _cBK | ||
| 999 |
_c60249 _d60249 |
||